Wednesday, 24 September 2014

More of my Sketches for forthcoming book 'Knights of Brass and Stone'


Accuracy needs to be considered carefully when illustrating a subject that has a historical purpose but the overall feel of the painting can become dull and lifeless if the composition is neglected.   I enjoy sketching on watercolour paper, it stops me from getting too tight with the detail at the early stages. Often I can loose the composition of the overall painting if I get tied up trying to get a particular piece of armour accurate and by using a paper that is textured I can rely on the tonal qualities to represent certain areas. Each image is A3 size so the main characters are around 4 inches high.

To see Latest work for 2015 follow http://paulfranciswalker.blogspot.co.uk/2014_12_01_archive.html

 Sir John D'Aubernoun  d1327

The sketch above of Sir John D'Aubernoun uses very loose marks to describe the figures in the background. in truth it is the brain that fills in the details

Sir John de Creke d1325

The sketch of Sir John de Creke uses flat diagonal lines to describe the figures and hills in the background thus pushing the two main figures into the foreground.

Below. Sir John Bettesthorne d1398 in France with Edward III 
click to enlarge


Below. Edward III

 Below. Thomas Camoys d1419-21 Commander of the rearguard on Henry V's left  at Agincourt.


 
click to enlarge

Below. Richard Quartremaynes d1477





See this painting finished 


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Friday, 12 September 2014

I will be making a detailed painting of Richard Beauchamp in the near future 

Sunday, 7 September 2014

My Line drawings

My line drawings are usually descriptive. I find that they are useful for me to get a sense of the shape that the armour has and help me to formulate the image in the round. 

I usually begin with a simple sketch in pencil to obtain the shape and when I am happy with it I erase any unwanted lines and use a Dip-pen and Indian ink to re draw the image. 

The line drawings often seem flat and can loose cohesion when using just one thickness of line, so I will often use the pen in such a way that the outlines of certain objects are thicker. This is done by simply pressing harder on the pen.

Many of my line drawings show the form of a particular type or part of an armour.

You can see more of my  line drawings by clicking the link below 
http://paulfranciswalker.blogspot.co.uk/p/iagram.html

Early 15th century Harness                                                                   14th century Coat of plates

16th century Harness                                                                    Elizabethan leg protection




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Friday, 5 September 2014

The History of Armour 1100-1700

Available from all good bookshops now or from the publishers at www.crowoodpress.com.

To see my book follow

My Artwork for Knights of Brass and Stone

Knights of Brass and Stone will look at the lives and armour of character's that are depicted on Monumental Brasses. I will be working on many illustrations some of which you will see here and in other posts on this site.

The oil painting I have been working on below is of a typical Elizabethan Harness. This is painted in Oils on canvas and is loosely based on the portrait of  ROBERT DEVEREUX (1566-1601), 2ND EARL OF ESSEX
.

Above. Detail of Essex painting

Above. Marker pens. 16th c close helm


Above. Oil painting 16th century vanitas

Above. Oil painting of a 16th c Close helm



 The painting below which is a Watercolour on Board depicts Richard III's charge at Bosworth field but it is the knight to the right in the forground who is in my book, William Catesby. He is depicted in armour that can be seen on his Brass in Ashby St Ledgers. William fought with Richard at Bosworth but was captured and executed three days after the battle. The poem 'The Catte the Ratte and Lovell our Dogge rulyth all England under a hogge, was coined by William Collingbourne in 1485. The Catte being Catesby.
See this painting in detail by clicking on the yellow link below
http://paulfranciswalker.blogspot.co.uk/2015/09/final-details-on-richard-iii-painting.html




Above. Richard III left and Catesby right. Both wearing a tabard displaying their coat of arms




Left. watercolour showing 14th c armour




Illustration of Sir Miles Stapleton 1364 as he is depicted on his brass in Ingham Norfolk'
He wears stud and splint armour.























Find out more about Sir Miles by clicking the yellow link below 
http://paulfranciswalker.blogspot.co.uk/2014/10/sir-miles-stapleton-13201364.html


Above. sketches for future paintings.
To see more Sketches for Knights of brass and stone click yellow link below
http://paulfranciswalker.blogspot.co.uk/2014/09/more-of-my-sketches-for-new-book.html


To see these paintings and find out more about my painting techniques click yellow link below.
http://paulfranciswalker.blogspot.co.uk/p/blog-page_8.html